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issue #2 / Summer 2007
eMAGAZiNE
 Go, Literature!  
Marie Lecrivain
Writer-in-Residence >>

what we are...

 

      You're a proto-type bachelor. I'm your half-a-decade behind counterpart. We bask in fading embers and we swap tales of dating disasters like two old war vets.

      Your last girlfriend tried to kill herself by jumping out of your truck at 60 mph.

     Once, to get home sooner, I allowed myself to be date-raped in a Subaru behind a Red Lobster.

      A woman once broke your heart into nine pieces and then stole your David Bowie "Pin-Ups" cd.

      A man I once loved had sex with his mistress in my apartment while I attended my father's funeral.

     At 22 and in love, you moved 256 miles east of Marina Del Rey to be with a woman who you found out later belonged to the Heaven's Gate cult.

      At 31, I risked eviction by giving my rent money to my cocaine snorting boyfriend so he could make his child support payment on time.

      The afterglow has died. You spring out of bed, your hand reaches for your pants, your shirt, your shoes; all of these items are donned with quick, decisive gestures. Your eyes are fixed on the door, your mind on the drive home, not on my cooling, lonely limbs or the space next to me that you just vacated.

     You salute me goodnight and close the door without a sound.

    It's dark now. I shift from right to left, and then brush a stray hair from my eyes. I hug my pillow.

     It was too much merlot, or not enough. It was the ticket you got from the cop the first night you took me home. It was breaking my private rule: never get involved with anyone at Christmastime. It was your compulsion to discover if I was truly "interested..." or was it "interesting?" It was when I told you that I tell the truth as I see it, which runs counter to the lies a courtship is based on. It's because your two cats are your best friends. It's the fact that you have a fireplace, and I don't have vanilla-scented candles. It's because you can't hold up your end of a conversation, except to make random jokes and non sequitur remarks. It's because you interrupted the passion of our first encounter when you stopped, took me in your arms, held onto me for dear life, and then I whispered, "I'm scared." It's the fact that I take public transportation and have become geographically undesirable. It's because you were raised as an only child and have limited social skills. It's because I won't trim the whole hedge no matter how much you complain. It's because you open doors for me and then walk ten paces ahead. It's the fact that you can only view me through a telephoto lens. It's because I wanted to see you on a Saturday night.

   It's the moment our commonality merges when we straddle each other in that classic '69 pose, cruising towards release, each one's mouth open to receive, and then swallow the waves of entropy that come, and then go... but never leave.

   

copyright 2007 m. lecrivain

 Work, Love, Music                         Ernest Williamson III
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